Mind Control Double Feature #99: Beware The Middleman
Two unique movies about nefarious middlemen that are the same movie but entirely different movies even though they’re precisely the same!
Two unique movies about nefarious middlemen that are the same movie but entirely different movies even though they’re precisely the same!
There are a few good things to be said about the new Godzilla. The best thing to be said is that it inspired a theatrical re-release of the original, Raymond Burr-free Japanese version from 1954.
To see quite a few more words, and to find out whether that’s a good or a bad “wow,” come on inside.
The most scientifically accurate such list you will find anywhere on the interwebs.
If there’s one good thing to be said about Battle For The Planet of The Apes—and there is indeed only one—it’s that the previous three movies in the series are retrospectively brilliant in comparison.
In which a pair of crazy writers write themselves into early graves.
The first in a sure-to-be-endless series of genius ideas we, the kind souls at Mind Control, offer to the Disney Empire free of charge.
In which three versions of the same history shed light on the story-tellers behind them.
We last left the apes wondering if Zira and Cornelius’s baby would grow up and spawn a race of super-intelligent apes that would one day take over the world. WRONG! Well, sort of.
It’s a movie. About Godzilla. In 2014. He destroys some stuff, fights a couple of other monsters. There are people in the movie, but not so you’d notice.
In which Jesse Eisenberg plays two of himself, neither of whom is likely to keep you awake for a full 90 minutes.
‘Scuse me while I whip this out.
Listen up, Bub: what we got here are a bunch of staggering zombies and a bunch of yelling humans. Guess which ones are more interesting?
Do you want to watch a 21-year-old supermodel play a 17-year-old teenager discovering her sexuality by becoming a prostitute and having hot naked sex with strange men in expensive hotel rooms?