Doctor Who Series 8: Deep Breath…Sucks
In which the series 8 opener is found to be, sad to say, all too reminiscent of the mess that was series 7, despite the appearance of a promising new Doctor.
In which the series 8 opener is found to be, sad to say, all too reminiscent of the mess that was series 7, despite the appearance of a promising new Doctor.
David Chase, never left alone since he blacked out The Sopranos, says something, says something else, and is for the most part completely misunderstood.
In which thoughts on director Alan J. Pakula and cinematographer Gordon Willis’s paranoid ’70s trilogy are thunk.
A childhood favorite I should have left alone.
Rainer Werner Fassbinder is one of the more colorful directors in movie history. To put it mildly. To put it another way, he was a madman.
The question Blue Ruin brought to mind was something nebulous about what makes a movie “good.” Because, on the one hand, Blue Ruin is in many ways a very good movie. On the other, it’s not really about anything other than being a good movie.
Robin Williams? I remember Robin Williams…
A master director makes a brilliant TV show. And I’m not talking about Soderbergh and The Knick.
What the hell? There’s a movie starring Terrance Stamp, John Hurt, and Tim Roth released in ’84, called The Hit? How had I never heard of this before? Wait, Tim Roth? What was he, like 12 when he made this?
In which Douglas Sirk gets away with subversive, melodramatic murder. His victim: the ’50s.
Want to know about the latest Marvel movie? How about that one from two years ago? Or the one five years from now? We’ve got you covered.
Music so brilliant, a man so fascinating, maybe the next doc made about his life will be the good one.
A tightly wound, slow-burning spy flick, in which Philip Seymour Hoffman gives the kind of performance you wish like hell he was around to keep on giving.
Richard Linklater gathers up time and turns it into a movie you’re going to have to see.