A good portion of audiences and critics left the Coen Brothers’ latest, Inside Llewyn Davis, feeling cold—and not just because of the brooding cinematography and icy landscapes. Beautiful, they called it, […]
Hollywood lusts after my children. This is both creepy and true. Script gnomes have spent countless hours crafting narratives designed to bring them back to the multiplex. From the mines […]
A true tale of extra-terrestrial abduction, in which a great movie was made slightly less great by forces of pure evil.
If you’re going to watch a movie—and why wouldn’t you, movies are awesome, you love them, you’re here to read about them—I would suggest not, under any circumstances, watching The Fortune.
It’s just as you dreamed: Andy Garcia all wet and glistening.
With so many to choose from, how, you ask, have I narrowed it down to ten? Science!
In which famous Italian directors make what are not at all their most famous movies. Strange ’60s shenanigans result.
I say this realizing how many times you’ve seen it, and comprehending that you’ve memorized entire scenes, and understanding that you fully intend to name your firstborn son Champ.
Asghar Farhadi’s The Past (Le Passé) is close. It is close like the body beside you in bed. It is close like the memory of mistakes made.
First off, Critters is not to be confused with Joe Dante’s rather more famous movie, Gremlins, although both feature weird little nasty monsters who want to eat your face.
If we’re going to bend at the knee to the sovereignty of spectacle, let’s shuck the pretense of intelligence.
You’ll never forget them or this night. Assuming you see Cheap Thrills, which you should.
In which I find myself somewhat flummoxed and curious at matters relating to this science fiction romance.
During the months long build up to the release of Anchorman 2, a question has burned in parts of my brain not being bombarded with images of Ron Burgundy: Has […]